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After the huge commercial and artistic success of his last album, threatened/promised that his next album would be a straight-up R&B record that forsook rapping for vocals. The plan fell through, but his 2011 album has the feel of a late-night R&B album, full of slow tempos, muted textures, impassioned crooning, and an introspective tone that is only rarely punctured by aggressive tracks, boasts, and/or come-ons. For the most part, increased success hasn’t done much to improve ’s mood, as he details his failures at love, his worries about living a hollow life, and his general malaise. ’s longtime producer/partner did most of the production work, and he surrounds ’s voice with murky beats, layers of dusky synths, and moody guitars that fit ’s voice perfectly; the two work together to create a thick mood of melancholy. When other producers take over, there is a definite shift in mood. Gives “Headlines” a jaunty synth line that matches with his strongest rap, brings some booty bass to the thoughtfully sexy feature “Make Me Proud,” builds “Lord Knows” around some majestic samples that let brag like a boss, and take things one step further toward R&B by creating a late-night after-hours club feel on the bittersweet “Look What You’ve Done” (which features a phone message left for by his grandmother). The album's most unique track, “Take Care,” features of working with on an (almost) uptempo, (almost) danceable song that has a typically great vocal from.

The super-moody collaboration with on “Crew Love” is another highlight, though it does point out the problematic fact that beats out in the vocal department. The collabo with the predictably brilliant and also point out ’s shortcomings as a rapper. Though he drops the occasional line that dazzles (“All my exes live in Texas like I’m ”), is a middle-of-the-pack rapper at best. His true strength, as proves over and over, is his willingness to delve deeply into his emotions and the ability to transmit them in such a simple and real fashion that it’s easy to connect with him even if your life isn’t filled with glamorous exes, hangs with (who adds some harmonica to “Doing It Wrong”), and gold owls. It’s an important achievement, and his success might mean that the world was ready for the first emo rapper. Hinted at it, but makes it plain. And while 's charms may be a little more hidden, with a couple exceptions, than ’s were, repeated plays reveal a record that is just as strong and more powerful emotionally.

Don’t play it at your next house party or DJ night; save it for later when you need something to get you through the rest of the night.